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最近的遠方
2024-10-21 08:26:25
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CC伯格曼作品集修復(fù)版重刷，目前畫質(zhì)最佳版本.
像這種影史巨片，每次重刷都能全新發(fā)現(xiàn)一處別樣優(yōu)質(zhì)的地方，這次印象最深的是片中服飾和所有布料的精美，由于是伯格曼中早期影片里舞臺劇味非常濃的一部，每個人的身份性格全從衣飾表現(xiàn)出來，在人物造型上算是最典范了. 除此之外還用得著說什么呢，伯格曼是最能用光編織夢，最能用現(xiàn)代生活方式框定、討論宗教與靈魂議題的人，他的電影通常像個小屋子，裝載他編寫得極度高超的故事，觀眾走進去后產(chǎn)生的思考的深度，無人能及. 本片深刻，肅穆，整潔，虔誠，輕松的喜劇成分和嚴酷的死亡混于一起，形成的張力在他自己的作品序列中也算是最強的. 全片起于一場綺麗的狂想，過程中由戲劇手段帶來的說服力震人心魄. 卑鄙者到處宣揚失敗到來之必然性，高尚者敢坐下來與死神對弈，何時看它都能教人分辨是非，給人勇氣沖田修一今年拍了部宅男畫家，巴拉圭出了部“宅女”畫家，宅男因為有賢內(nèi)助才能三十年足不出戶，宅女失去了賴以生存的同性伴侶，便只能遠離畫布自力更生，時刻都小心翼翼，對一切懷有好奇，收到獄中伴侶叮囑后仍無照駕駛，變賣寓中財產(chǎn)干起出租車司機，聽. 作為導(dǎo)演處女作很出色了，沒有走向靠販賣同性元素博取眼球的道路，女主影后也拿的絲毫不虛，日常的情節(jié)中戲力十足.
